NPR's World
of Opera
KPBX 91.1, Wednesday, 7pm-9pm
World of Opera brings listeners compelling performances from top American
and international opera companies. World of Opera encompasses the seminal
operas of the 17th century; the political and social satires of the 18th
century; the "bel canto" masterpieces of Donizetti and Bellini;
the revolutionary 19th-century works of Verdi and Wagner; and, of course,
operas in the "true-to-life" verismo style of Puccini and Mascagni.
Begun in April 1984, World of Opera goes beyond the traditional, operatic
vernacular to showcase opera as anything but an elitist form of art. As
the series reveals, opera has been to past centuries what the cinema is
to us today: a star-studded, multi-faceted, multi-media form of entertainment,
evoking a world of tragedy and triumph, passion and seduction, intrigue
and disaster, jealousies and dreams a world that people return
to over and over again. In fact, opera is as popular today as it ever
has been.
Program
Listings:
July 1, 2009
The up and coming Swiss Baroque ensemble I Barocchisti brings us a seldom-heard
drama by Handel, sung by a top-notch cast, from Lausanne's beautiful Salle
Metropole. This production of Faramondo is conducted by Diego Fasolis.
CAST: Max Emanuel Cencic (Faramondo); Sophie Karthäuser
(Clotilde); Marina de Liso (Rosimonda); Insung Sinn (Gustavo); Philippe
Jaroussky (Adolfo); Xavier Sabata Corominas (Gernando); Fulvio Bettini
(Teobaldo); Johann Ebert (Childerico)
July 8, 2009
GIOACHINO ROSSINI: The Voyage to Rheims
Rossini's last Italian opera, this score was originally conceived as a
one-act "occasional piece" -- nearly three hours long! -- to
celebrate the coronation of a French king, and it contains some of the
finest vocal writing Rossini ever produced. And don't worry: This La Scala
production does include an intermission. Ottavio Dantone conducts.
CAST: Patricia Ciofi (Corinna); Annick Massis (Contessa di Folleville);
Carmela Remigio (Madama Cortese); Juan F. Gatell Abre (Cavalier Belfiore);
Dmitry Korchak (Conte di Libenskof); Alastair Miles (Lord Sidney); Nicola
Ulivieri (Don Profondo); Fabio Capitanucci (Don Alvaro)
July 15, 2009
GIUSEPPE VERDI: Simon Boccanegra
At times neglected, this sombre and brooding drama -- with only one major
female role -- is now widely recognized as among Verdi's most powerful
and compelling operas. Leo Nucci takes the complex title role in a production
from the Vienna State Opera Orchestra and Chorus, conducted by Yves Abel.
CAST: Leo Nucci (Simon Boccanegra); Roxana Briban (Maria);
Giacomo Prestia (Jacopo Fiesco); Mario Malagnini (Gabriele Adorno); Eijiro
Kai (Paolo Albiani); Dan Paul Dumitrescu (Pietro)
July 22, 2009
JOSEPH HADYN: Orlando Paladino
Of all Haydn's operas, this was the most popular in his lifetime, and
arguably his best, described as "a comedy of errors in which most
of the characters are in love with the wrong partner." Orlando, literally
crazy for love, goes in search of Medoro and Angelica, while Rodomonte
is trying to kill him, and the witch Alcina targets him with fiendish
hexes. In Concertgebouw, Amsterdam from the Netherlands Radio Chamber
Philharmonic. Alessandro De Marchi conducts.
CAST: Henriette Bonde-Hansen (Angelica); Marcel Reijans
(Orlando); Pietro Spagnoli (Rodomonte); Elena Monti (Alcina); Kenneth
Tarver (Medoro); Nikolay Borchev (Pasquale); Martijn Cornet (Caronte);
Peter Gijsbertsen (Licone); Laura Cherici (Eurilla)
July 29, 2009
GAETANO DONIZETTI: The Daughter of the Regiment
Donizetti's "light comedy" is an opera that lives up to both
halves of that description. The story may not be particularly challenging,
but there are plenty of laughs and it's all conveyed through one of the
composer's liveliest and most entertaining scores. Featuring the Washington
National Opera Orchestra and Chorus conducted by Riccardo Frizza.
CAST: JiYoung Lee (Marie); José Bros (Tonio); Victoria
Livengood (La Marchise); Simone Alberghini (Sulpice Pingot); Obed Urena
(Hortensius); Matthew J. Minor (Corporal); Madeleine Gray (La Duchesse)
August 3, 2009
LEOS JANACEK: The Cunning Little Vixen
Based on an illustrated tale published as a newspaper serial, this fanciful
opera is one of Janacek's true masterworks -- at once charming, frightening,
tragic and, in the end, life-affirming. The Houston Grand Opera was conducted
by Patrick Summers in this remarkable performance.
CAST: Lisa Saffer (Vixen); Hector Vasquez (Forrester);
Jennifer Root (Forrester's Wife); Ekaterina Gorlova (Young Vixen); Fiona
Murphy (Fox Golden-Stripe); Meredith F. Flores (Cricket); Alina Slavik
(Grasshopper); Jon Kolbet (Mosquito/Schoolmaster); Allan Lawrence (Frog);
Maria Markina (Lapak/Woodpecker); Laurie Lester (Pepik); Rebeka Camm (Chocholka
the Hen); Albina Shagimuratova (Frantik); Alicia Gianni (Rooster/Jay);
Ryan McKinny (Badger); Bradley Garvin (Parson); Beau Gibson (Pasek); Liam
Bonner (Harasta); Tamara Wilson (Pasek's Wife)
August 10, 2009
HENRY PURCELL: The Fairy Queen
Technically, this drama is called a "semi-opera." Still, semi-
or not, The Fairy Queen was the most lavish work of its kind when it first
appeared in 1692. This production comes to us fresh from its late-July
premiere at Royal Albert Hall, as part of London's famous Proms.
CAST: TBA (to incude sopranos Lucy Crowe, Claire Debono,
Anna Devin and Carolyn Sampson; tenors Robert Burt, Ed Lyon, Sean Clayton
and Adrian Ward; bass-baritone Andrew Foster-Williams)
August 17, 2009
JACQUES OFFENBACH: The Tales of Hoffmann
Offenbach's masterpiece is both a three-act opera and a trilogy of taut,
individual dramas, all rolled into one. This Grand Theatre of Geneva production
features baritone Marc Laho in the tour-de-force triple villain roles,
with three different standout sopranos as the tales' three heroines. The
Suisse Romande Orchestra was conducted by Patrick Davin.
CAST: Marc Laho (Hoffmann); Nicolas Cavallier (Lindorf,
Coppelius, Dr. Miracle, Dapertutto); Stella Dufexis (Niklausse, Muse);
Patricia Petitbon (Olympia); Rachel Harnisch (Antonia); Maria Riccarda
Wesseling (Giulietta); Eric Huchet (Andres, Cochenille, Frantz, Pitichinaccio);
Francisco Vas (Spalanzani); Bernard Deletre (Schlemil); Rene Schirrer
(Luther); Gilles Cachemaille (Crespel)
August 24, 2009
GEORGE FRIDERIC HANDEL: Ezio
While Ezio may lack the lustrous ensembles that characterize some of Handel's
best operas, the musical and dramatic impact of its many spectacular solo
arias make its characters some of the most vivid that Handel ever evoked.
At the Rococo Theatre in Schwetzingen, featuring Attilio Cremonesi conducting
the Basel Chamber Orchestra.
CAST: Yosemeh Adjei (Ezio); Netta Or (Fulvia); Mariselle
Martinez (Valentiniano); Hilke Andersen (Onoria); Donat Havar (Massimo);
Marcell Bakonyi (Varo)
August 31, 2009
GIUSEPPE VERDI: Aida
One of the world's most popular operas, Verdi's drama takes a familiar
plot element -- the thorny love triangle -- and reinvents it using strikingly
complex characters who confront their anxieties and passions amidst the
mystery and spectacle of ancient Egypt. The Houston Grand Opera was conducted
by Carlo Rizzi.
CAST: Zvetelina Vassileva (Aida); Marco Berti (Radames);
Dolora Zajick (Amneris); Gordon Hawkins (Amonasro); Tigran Martirossian
(Ramfis); Bradley Garvin (King of Egypt); Tamara Wilson (Priestess); Beau
Gibson (Messenger)
About the host:
Lisa Simeone joined NPR World of Opera as its host in July 2002.She
has more than 25 years of experience in radio and television, including
at All Things Considered, Performance Today, Weekend Edition and the Metropolitan
Opera. She also hosts the nationally syndicated BP Chicago Symphony Orchestra
Radio Broadcast Series, and the internationally syndicated documentary
series Soundprint.
She has produced three documentaries for Soundprint: "Bachelor Party";
"Strippers: Thinly Veiled"; and "Money in the Family."
For 13 seasons she hosted the nationally syndicated Baltimore Symphony
Orchestra Casual Concerts with conductor David Zinman.
Simeone began her career at WBJC in Baltimore and WETA in Washington,
D.C. During her ten years at Baltimore's WJHU, she developed a loyal following
for her unusual mix of programming classical, folk, and jazz, along
with provocative reports, interviews, and call-in shows on a wide variety
of subjects, everything from anthropology to neuroscience to philosophy
to media criticism. (But she confesses that her favorite reports are on
things such as bocce, The Hon Man of Baltimore, and the virtues of a well-fitting
bra!).
As a freelancer, she has done voice-overs, narrations, and hosting for
the Discovery Channel, PBS and commercial enterprises.
When she's not doing radio, Simeone writes articles for Style Magazine
and the Urbanite, as well as book reviews and op-eds for the Baltimore
Sun.
Simeone was born in Pittsburgh, Pennsylvania, and earned a B.A. in Liberal
Arts from St. John's College in Annapolis, Maryland (the 'Great Books
School') in 1980. In 1997, she earned an M.A. from the Writing Seminars
at the Johns Hopkins University.
|